《沙發、沉睡者、她的面容》系列作品的靈感來自一張我母親的照片。她結束一天的工作後，沈睡在沙發上，她的靈魂像是被抽離，身體與沙發融為一體。我認為沙發是最具代表性的家庭物件，坐墊上隨意擺放的枕頭、毛毯以及衣物暗示人的存在，以及記錄活動後的痕跡。沙發使人在一個空間中停留的時間拉長，當人們窩在沙發裡，我們會擺出最舒適的姿態，漸漸的陷入坐墊裡，忘了身體的存在。我透過攝影紀錄身體姿態的瞬間，沈睡中的人、蜷縮、依靠在物體上，這個時刻，人與物件不再是分開的個體，就像是沈入或附著於物件，人們有時會忘了他們的存在。身體與布料結合，或成為布料的一部分，軀體與物的邊線變得模糊，似人非人。

在照片中，陷入沙發裡「似人非人的東西」，吸引了我的目光，他似乎躲藏在我的四周，我也意識到它的存在。這系列作品是以「織品中的痕跡與身體」為核心，延續了我對織品中的身體的關注及研究。《沙發》、《沉睡者》及《她的面容》對我來說都具有一種儀式性，《她的面容》以雕塑的方式將時間凝結，《沉睡者》是將肉身有限的生命附著到物-棉被上，《沙發》保留了物質殘留的痕跡，這個痕跡是指像一個人，而那個人已經不在場。

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My inspiration comes from a photo display my mother sleeping soundly on the sofa after her work. Her soul seems to have detached from her body and become part of the sofa. I regard a sofa as the most representative domestic item, implying the existence of the dwellers and recording the traces of their movements. People tent to linger when there is a sofa. When people snuggle down on the sofa, gradually sinking into it in the most comfortable posture and forgetting the existence of the body. By creating this work, I attempt to interpret this aura from the sleeping person and sofa. ‘Sofa’ is a furniture with the sunken made by dwellers. ‘Sleeping woman’ combines the shape of human and quilt. ‘Her face’ freezes time using methods of textile and sculpture. For me, the series of works have a kind of rituality. I take ‘the trace and the body in textiles’ as the core, to continue my attention and research.

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